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Any Sound You Can Imagine: Making Music/Consuming Technology (Music/Culture) Paul Theberge
Publisher: Wesleyan

It's part of an obscure but evolving culture based around small-batch hand-lathed records, a laborious but potentially viable alternative to mass production in a fragmented music market. It's too often taken for granted that, at their inception, music technologies expanded accessibility to music-making, and made untold ingress possible. What we believed for a long time was that That was the core economic feature of the independent music culture: no riches, but still sufficient funds to avoid wasting time on activities not related to music. Imagine an incredible piece of music available only once — on dubplate. Rock is a maturing or ageing, if you prefer, genre. Any Sound You Can Imagine: Making Music/Consuming Technology (Music/Culture) book download. Prospective buyers who persuade Souri that they are serious must travel to Germany for a training course. "My analogue sequencer makes unique sounds you can't get from digital sequencers," says Pinch. Stefan Goldmann on why Web 2.0 can work for you but won't for most, where all the money went and how working against the market consensus can be a winning strategy. Afterward, nearly every electronic music-making box that was used in a studio - in ever-more prevalent home studios, in schools and universities and other institutions of sound reproduction - was MIDI-compatible. Wolfe, a musician Souri's lathe costs €3,200, or a little more than $4,000, and you can't just drop one in your online shopping cart.